Alesis 24 Specifikace stáhnout pdf (Strana 23)

Introduction

2 2 STUDIO 24 REFERENCE MANUAL

MONITOR (CONTROL ROOM) MIX

This mix is what the engineer and/or performer hears in headphones or the control

room speakers. During overdubbing, this mix is typically controlled by the Studio

24’s MONITOR 1/2 section, and sometimes by the L/R mix.

In the monitor mix, the goal is to set the controls so that the performers get whatever

mix they need so they can perform their overdubs as well as possible. In the

engineer’s mix, the goal is to make sure that he or she can hear any problems with

the tracks being recorded, so they can be fixed before making more overdubs. In

either case, the Studio 24 allows you to adjust the monitor and control room mix

(change levels, pan position, or solo individual channels) without disturbing the

signals being recorded to the multitrack.

In the illustration, the microphone we recorded on track 4 comes back on TAPE IN

#4. The CHAN/MON REVERSE switch is left at its up position. The purple LEVEL

knob and the MONITOR PAN determine the mix going to the MONITOR 1/2

MASTER. At this point, the CONTROL ROOM SOURCE switch is set to MON 1/2,

so the engineer can adjust the monitor mix.

Monitor PAN: Note that the Monitor PAN controls (the black knobs above the

purple knobs) will not affect what track a signal is recorded on. They only affect

the position in the control room speakers or headphones. On the other hand, the

lower row of PAN controls for the channel faders will pan the signal from the

microphone between two tracks of tape (if you’re recording using the Groups instead

of the Direct Outs).

Sometimes you may need another mix for the musicians’ headphones, since some

musicians may need certain instruments louder or softer in the mix in order to hear

their cues. In the Studio 24, a complicated cue mix will usually come from

MONITOR 1/2, and less complicated ones may come from the post-fader AUX sends

(if it’s OK for the Aux mix to change if the engineer makes adjustments to the

channel fader). Don’t forget that MONITOR 1/2, instead of being used as one stereo

mix, may be used as two mono mixes, with careful setting of the MONITOR PAN

controls.

Also, please note that the EQ, 75 HZ filter, and INSERT jack do not affect the

MONITOR 1/2 mix.

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Alesis 24 Specifikace Strana 23