Alesis 24 Specifikace Strana 76

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Description of Controls
STUDIO 24 REFERENCE MANUAL 7 5
CHAPTER 7:
DESCRIPTION OF
CONTROLS
CHANNEL INPUT CONTROLS
TRIM
The TRIM knob adjusts the sensitivity of both the Mic and Line inputs. Proper setting
of this control is essential for low-noise, distortion-free operation. In most cases,
microphones require from 30 to 60 dB of preamplification, while line sources need
much less or none at all. If the Channel PEAK LED flashes when the CHAN/MON
REVERSE switch is up and signal is present, lower the TRIM control.
Mic input gain: +10 dB (minimum) to +60 dB (maximum)
Line input gain : -10 dB cut to +40 dB gain.
FADER/MONITOR SOURCE SWITCH:
CHAN/MON REVERSE
This switch selects the source of the Channel (which includes the Channel Fader, EQ,
INSERT jack and AUX 3/4) and the MON 1/2 system. In other words, where is the
signal coming from?
When this switch is UP:
the LINE IN or MIC IN jack (having already passed through the
TRIM control) is the source of the Channel, and...
the TAPE IN jack is the source of MON 1/2.
When this switch is DOWN:
the TAPE IN jack is the source of the Channel, and...
the LINE IN or MIC IN jack is the source of MON 1/2.
Example: If all the console’s CHAN/MON REVERSE switches are down, all the main
Channel faders will be getting signal from their respective Tape Returns. This would
be a typical mixdown patch. By releasing the CHAN/MON REVERSE switch, the
Channel faders will get signal from the Mic/Line inputs, which is the typical patch
for recording & overdubbing.
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